Nureyev
(Be sure to see, below, the e-mails from an anti-Semite that were triggered by my comments on Nureyev.)
An odd and embarrassing gap in my cultural background is that I had never really seen Rudolph Nureyev dance, not on stage, not on film. I suppose I must have seen snatches of him on tv over the years, though not enough to leave a strong impresssion. Also, as the great choreographer George Balanchine once said, ballet is about the women dancers, not about the men—that’s not literally a true statement, of course, but it contains a significant measure of truth. Ballet, especially that of Balanchine, is about female beauty and longing, a quivering, a reaching up to the heights. The men assist the women, serve as a counterpoint to the women, engage in great dramatic relationships with the women, provide the pure physicality and powerful leaps that the women cannot provide, but the peak of ballet, where it goes the highest and affects you most deeply, that belongs to the women, not the men. It’s just the way it is.Real artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.—Margot Fonteyn Recently, however, I saw on television a film of Nureyev and his long-time dancing partner Margot Fonteyn of the Royal Ballet dancing together in a produced-for-tv performance from the late Sixties or early Seventies. It was a two person work, I don’t tremember the name of it. Then I saw Nureyev leap. I’ve seen great male dancers, especially back when I was a fan of the New York City Ballet many years ago, but I had never seen anything like this. Nureyev would go up in the air, but it was not a leap exactly, it was more as though he had left the earth behind, was no longer attached to the earth, and he would turn and rotate in midair, his movement absolutely controlled and perfect, his body, head, and face completely composed, and he seemed to be looking inward, absorbed in himself and his movement, but so composed he seemed motionless, the king of own kingdom. He didn’t just go up and come down, he created the illusion—or was it the reality?—that he was hanging out up there, suspended in space, before he consented—condescended—to return again to earth. Nureyev had a transcendent gift.
Tim O’Connor writes:
You have given yourself away. Rhapsodizing about that Islamic Tartar, Nureyev, is hardly something a true white nationalist would do. Or is it a Freudian slip on your part? After all your own family tree did not diverge all that long ago from that of Mr Nureyev’s tribe. You are an insidious and dangerous troublemaker, but on the odd occassion you do slip up.LA replies:
Assuming the poster is serious and is not engaging in a parody of anti-Semites (sadly, I think it’s the former), anti-Semites regularly send me e-mails of this sort. They are always “smoking me out,” discovering the damning truth about me that I have inadvertently revealed, that shows how truly dangerous I am to the white race.Jeff in England writes:
I suspect it is a “wind-up” or a tongue-in-cheek comment. But it could be legit. Look at some Jews who won’t tolerate other Jews (like me) listening to Wagner (who ironically was probably half-Jewish).LA replies:
If it’s tongue-in-cheek, it’s very well done.LA writes:
A reader highly recommends the 1966 movie of Romeo and Juliet with Rudolph Nureyev. While he says Nureyev is far the greater dancer than Mikhail Baryshnikov, he adds that Baryshnikov’s Don Quixote, also available in DVD, is his favorite Ballet.Karen writes from England:
I trained as a ballet dancer and as a child I saw Nureyev live on stage dancing with Margot Fonteyn several times. He had this tremendous athletic quality which is often a feature of Russian dancers. He had the huge muscular power of a great sprinter and was able to use that to power his elevation (jumps). That made him different from most classical dancers who have muscular strength and flexibility but little power. He would also have made a great athlete. Surprisingly most classical dancers are not all that fit in terms of power or endurance and most cannot run a marathon or even a mile. Nureyev combined athletic ability with stage presence and grace which made him exceptional.Tim O’Connor has not retreated from the field. On this dreary November day, he comes along to lift our spirits with a riotous demonstration of the thought processes of the anti-Semitic far whites. Mr. O’Connor writes:
Obviously your admiration for the Tartar would not be there had he been Palestinian. But you see most Jews are actually for Muslim immigration into the West. Whether it is Australia, France or England, you often find Jews protesting “discrimination” against Muslims. They are united with Muslims against Le Pen in France.LA replies:
Let’s see. I spent my entire teens intensely listening to von Karajan’s complete recording of the Beethoven symphonies—the ultimate Germanic, heroic, Promethean interpretation of Beethoven. Does that make me a loyal white? Or does watching Nureyev once for 20 minutes cancel out the credits gained from the years listening to Karajan? These are the sorts of deep questions that Mr. O’Connor forces me to ponder.Alex K. writes:
“I spent my entire teens intensely listening to von Karajan’s complete recording of the Beethoven symphonies—the ultimate Germanic, heroic, Promethean interpretation of Beethoven. Does that make me a loyal white?”Jeff in England writes:
Nureyev was a serious anti-Semite, did you know that? It’s mentioned in this article.Dimitri K. writes:
The only reason why you didn’t yet expose your real anti-Western nature and genuine love for Palestinians is that Palestinians don’t dance ballet.Larry G. writes:
Dimitri wrote: “The only reason why you didn’t yet expose your real anti-Western nature and genuine love for Palestinians is that Palestinians don’t dance ballet. “James P. writes:
I am surprised that Mr. O’Connor has neglected to mention the important fact that Rudolf Nureyev was gay. So you have expressed admiration for someone who was not merely an Islamic Tartar, not merely the son of a Communist Commissar, but a homosexual to boot!LA replies:
In addition to which, and perhaps worst of all, Nureyev was a ballet dancer. What could be more … cosmopolitan?Paul T. writes:
The first message from O’Connor might indeed have been a mild parody; the second was seriously creepy.Mark Jaws writes:
Among the rational, fair-minded racialists whom I know, there is no one who has done more to fight the anti-white attitudes of the multi-cultural Marxists than yours truly.Bruce B. writes:
“And these are the people who think they are the last and only defenders of Western civilization.”—LALA replies:
Where they come from is indicated by Tim O’Connor’s last e-mail to me, which ends with this:Alan Levine writes:
I must confess that I greatly enjoy the works of composers who were out and out Nazis and Commies, such as Max von Schillings and Dmitri Shostakovich. My character must be even lower than yours! Posted by Lawrence Auster at November 07, 2007 04:10 PM | Send Email entry |